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Original Size: h.29,7 x w.21 In centimeters. -
Original size: h.30 x l.40 In centimeters.
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Original Size: h.42 x w.30 In centimeters.
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Original Size: h.83,5 x w.81,5 In centimeters.
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A TENNIS BALL …
A tennis ball, is just a small sphere covered by felt that, with an innocent glaze, … would seem not to have anything to say; his look is that of a funny woolly round skipping here and then over all surfaces, almost it were a scared chick… but, watching it better, it has “something” to offer…; it even could bounce from the earth to the sky…bouncing …
“BOUNCING IN PARADISE”
This is a “joke” of the author, an interactive distraction (in PowerPoint) with pictures, words and sounds that, using your mouse, clicking on the red ball and following the “phrasing”, will let you to download the entire product.
WELKOME to “CASTLESBURNING” (!)
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TITLE : K A O S F E D E R E R AUTHOR : MAURIZIO CASTELLI EDITOR: MEMYSELF
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INDEX:
HOW CAN YOU THINK TO FIND AN INDEX IN A BOOK THAT HAS “KAOS” IN ITS TITLE? … WHICH “KAOS” HAS AN INDEEEEEX ? ! In fact, if FEDERER has caused the KAOS , you will never have an index. Actually, FEDERER didn’t cause the KAOS :Federer is kaos
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… but, I am stubborn, so, I can try to make an hypothesis about the INDEX OF KAOS…
So it went:
all started in “ALTAQUOTA” when, suddendly, I felt “ECSTASY TENNIS ECSTASY” and on “1st NOVEMBER (2015) – ALL SAINTS - better, A SAINT FOR ALL”, I had the opportunity to observe “ROGER “DE – LUX” “ and, to avoid being blinded, I tried to identify ”THE DIFFERENCES AMONG THE FABER FOUR OR “THE AESTHETIC SIDE OF LIFE“, then someone told me: “TASTE THE DIFFERENCE” even, better:“… I WAS WONDERING IF YOU HAVE EVER TASTED TAGLIOLINE ALLA GRANSEOLA, ACCOMPANIED BY A COOL CUP OF KRUG…”.
And it was so that I started to think “FEDERER OR NOT TO BE” and, since then, all the rest became “Unbearable”, giving to myself the proof that, by then, I definitively got into the “KAOSFEDERER”.
MAURIZIO CASTELLI
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Presentation of the book
FEDERER’S ARPEGGI
The book is composed of seven poems inspired by the way of interpreting and expressing Tennis of the “PHENOMENON FEDERER” and by emotions the “GESTURE of FEDERER” excite in author’s mind. Poems are supported by eight images being integrant part of the book reproducing paintings created by the author himself. The work is introduced by an epigraph, apparently commemorative of the olympic-theme, titled OLYMPIC GAMES “LONDON SMOKE”, followed by five passages that, in tennis jergon, could be defined “short passes”, each, in its way, evocative of “FEDERER’S PLAY”: Kamoòonnn..., an emotional state; “UNSTABLE EQUILIBRIUM…”, flowing and music cue; EUREKA [-KAMON-], a sarcasm; SYNTHESIS, hymn to gesture; THE DUEL, a mere meditation; To conclude the work there is a summa of sentences expressed by the Champion, during his career, that, for their meaning and poetic, have been collected under the title “WORDS OF GOLD”.Maurizio Castelli
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Identification:
The text is composed of 20 pages, 842 words – Word Program – (cover, title, presentation of the book and index included), whose characters are often heterogeneous and, sometimes, diferrently coloured. The cover shows a painting titled “Assolo”, work of the authour, representing a stylized dull black court, with black stripes and silver shades, bringing writings and red shades.
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INTRO to ROGEREIDE
The sequence of four dates (: 28/06/2014, 10/07/2014, 29/01/2017, 16/07/2017 ) draws the “effects” that the “PLAYS” of the Hero of Basel, has provoked into the author and eternalizes some prodigious moments of the ROGERIAN EPIC. (*) Please note that the poem “ FEDERER OR NOT TO BE ”, which is part of the present work, is also part of the text entitled “KAOSFEDERER”.
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“INSTRUCTIONS” FOR THE READING of the work: “WELKOME BACK” IN THE SKY OF WIMBLEDON
The reading of this short work could be difficult to understand if it weren’t introduced by the knowledge of the prodromal text titled “I DREAMT WIMBLEDON SO MUCH, I EVEN WON IT (!)” So, it is advisable to download the present text if you haven’t read the work “I DREAMT WIMBLEDON SO MUCH, I EVEN WON IT (!)” before.
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